An arrangement for Brass Band by Andrew Duncan of John Williams' music for 'Return of the Jedi'.

The theme music from the original motion picture, Born on the Fourth of July, starring Tom Cruise. The music was composed by John Williams and this arrangement for brass band is by Andrew Duncan.

Hedwig’s Theme from Harry Potter and the Philosopher’s Stone is probably the most recognisable of all the themes from John Williams’ score to the Harry Potter films. The music has been arranged for brass band by Andrew Duncan. Brass Band Grade 4: Advanced Youth and 3rd Section Duration: 5 minutes

The theme music from the original motion picture Born on the Fourth of July starring Tom Cruise. The music was composed by John Williams and this arrangement for brass band is by Andrew Duncan. Brass Band Grade 3/4: Youth and 4th Section/Advanced Youth and 3rd Section Duration: 5 minutes

Theme music from the original motion picture arranged for Brass Band by Andrew Duncan.

The William Blake poems The Lamb and The Tyger are often paired together and Andrew Miller has composed them so they can be sung as a set or separately. The strength and power of the tiger emerges effortlessly from the superb writing. This selection was selected for the Jo Ann Miller Choral Series and was winner of the 2013 NDSU Edwin Fissinger Choral Composition Contest. Best for advanced high school and college choirs along with community groups. Medium difficulty.

Marimba Solo-By Andrew Thomas written for William Moersch Merlin has become a standard amongst percussionists.

Par GILLOCK WILLIAM. An exclusive collection of 16 Gillock classics, edited and matched to the grade criteria of the major examination boards by Andrew Eales. With fresh engravings and editorial practice notes, this inspiring folio will bring the joy of Gillock?s music to pianists of Grade 1?2 level. / Date parution : 2022-07-30/ Recueil / Piano

The songbook of Four Quiet Interludes comprises 1. Elegiac 2. Dorian 3. Pastorale (By The Waters Of Babylon) and 4. Choral which includes a voicing of 'Jesu! The very thought is sweet'. These pieces demonstrate Lloyd Webber’s strong melodic and harmonic gifts.Organist composer teacher and arranger William Lloyd Webber father of musicians Andrew Lloyd Webber and Julian Lloyd Webber was a twentieth century English musician who was not only a church Organist but a well-known recitalist and teacher at the Royal College of Music. His works arose from the Romantic tradition which he felt became ‘out of step’ as modern styles changed. His work is enjoying a revaluation.

Ed. Maitland-Squire Rev. Dover Edition-'The most remarkable and in many respects the most valuable collection of Elizabethan keyboard music' (Grove's Dictionary of Music and Musicians). The close to 300 airs variations fantasies toccatas pavanes galliards allemandes and courantes in these two volumes include some of the finest examples of Elizabethan and Jacobean Music: Morley Gibbons Farnaby Warrock Ferdinando Richardson Peter Phillips Tomkins and practically every other composer of the virginalistic school. John Bull and William Byrd two of England's greatest composers are represented by over 100 works. The pieces herein while composed for the virginal can be played without difficulty on thepiano or any other keyboard instrument. Maitland and Squire set the music into modern notation preserving faithfully the intent of the composers.

Contents: Works by George Bingham, Gottfried Finger, Robert King, Jacques Paisible, Andrew Parcham, William Williams Editors: Nicola Sansone Publication Date: 2009 Series: Flauto Dolce (Recorder) Structure: Score and Parts Pages: pp. 56 + parts pp. 28

Song cycle for medium voice and piano based upon the poetry of Ivor Gurney and Leonard Clark. A set of pieces very much in the English lyrical vocal writing tradition of Butterworth Ireland and of course Gurney.'The Pine Boughs Past Music is a song cycle baseed upon poetry associated with Gloucester and was commissioned to celebrate the eightieth anniversary of the Gloucester Music Society. Having purposefully sought inspiration from a wide array of Gloucester poets from Henley to Harvey I finally found inspiration in the poetry of Ivor Gurney whose work is so saturated with the Gloucestershire landscape. In his poetry Idiscovered the essential element I needed to bind the cycle together: the eternal backdrop of nature upon which the poet's thoughts are played out.It would have been quite easy to conclude the set with another poem by Ivor Gurney. However it was to Leonard Clark I turned. The title of his summative poem speaks for itself 'In Memoriam: Ivor Gurney': a haunting elegy that pays tribute to Gurney's everlasting memory.'                                 - Ian VenablesFirst performed on April 15th 2010 at St Mary-de-Lode Gloucester performed by Roderick Williams (Baritone) and Andrew West (Pianist).Commissioned by Christine Talbot-Cooper to celebrate the Gloucester Music Society's eightieth anniversary.